在另一个向度上，库切把陀思妥耶夫斯基的生活中人和其他作品的人物也邀请到 1869年的彼得堡，让他们和陀思妥耶夫斯基一起在“地下室”、“火”等属于陀思安耶夫斯基话语的场景里，参与到陀思妥耶夫斯基的精神生活中去。小说中，库切多采用现在进行时，并用他（he）来叙述，形成作品中的共时性。情节在共时性的作用下，使人物的自由行动处在一种关键时刻，是陀思妥耶夫斯基，也是库切让自己的主人公承受特殊的精神折磨，以此逼迫主人公把达到极度紧张的自我意识讲出来。正如巴赫金说的，陀思妥耶夫斯基的主人公都是些思想家式的人物：具有伟大而尚未解决的思想的小人物。那么，在《彼得堡的大师》中，库切创造了思想的陀思安耶夫斯基。这样，不仅是陀思安耶夫斯基的作品人物具有开放的、鲜活的他人意识，陀思妥耶夫斯基本人也拥有完全独立的声音，发出价值十足的议论，与作者形成多重的平等的对话关系。如果说陀...(展开全部)

In 1869, Dostoevsky was summoned from Germany to St. Petersburg by the sudden death of his stepson. Coetzee dares to imagine the life of Dostoevsky, whom we watch as he obsessively follows his stepson’s ghost, trying to ascertain whether he was a suicide or a murder victim, and whether he loved or despised his stepfather. The novel is at once a compelling mystery steeped in the...(展开全部)

Like Michael Cunningham in "The Hours, " Colm Toibin captures the extraordinary mind and heart of a great writer. Beautiful and profoundly moving, "The Master" tells the story of a man born into one of America's first intellectual families who leaves his country in the late nineteenth century to live in Paris, Rome, Venice, and London among privileged artists and writers.In stu...(展开全部)

Like Michael Cunningham in "The Hours, " Colm Toibin captures the extraordinary mind and heart of a great writer. Beautiful and profoundly moving, "The Master" tells the story of a man born into one of America's first intellectual families who leaves his country in the late nineteenth century to live in Paris, Rome, Venice, and London among privileged artists and writers.In stu...(展开全部)

"Later he told me that he’d been afraid to show me the painting. He thought I wouldn’t like the way he portrayed me: dragging myself across the field, fingers clutching dirt, my legs twisted behind. The arid moonscape of wheatgrass and timothy. That dilapidated house in the distance, looming up like a secret that won’t stay hidden." To Christina Olson, the entire world was her ...(展开全部)

Mislabeled boxes, problems with visiting nurses, confusing notes, an outing to the county fair--such are the obstacles in the way of the unnamed narrator of "The End of the Story "as she attempts to organize her memories of a love affair into a novel. With compassion, wit, and what appears to be candor, she seeks to determine what she actually knows about herself and her past, ...(展开全部)

Published when Wallace was just twenty-four years old, The Broom of the System stunned critics and marked the emergence of an extraordinary new talent. At the center of this outlandishly funny, fiercely intelligent novel is the bewitching heroine, Lenore Stonecipher Beadsman. The year is 1990 and the place is a slightly altered Cleveland, Ohio. Lenore's great-grandmother has di...(展开全部)

The long-awaited new novel from Margaret Atwood. The Year of the Flood is a dystopic masterpiece and a testament to her visionary power. The times and species have been changing at a rapid rate, and the social compact is wearing as thin as environmental stability. Adam One, the kindly leader of the God's Gardeners—a religion devoted to the melding of science and religion, as we...(展开全部)

弗兰克·施茨廷（Frank Schätzing），1957年出生，在科隆过着多彩多姿的生活：广告公司的创意总监、作曲家、音乐制作人，同时也是热情的业余厨师和受过训练的潜水员。 1995年，施茨廷的首部小说《科隆911》即让他成为畅销书作家；2000年的政治惊悚小说《悄无 声息》则被媒体誉为“对这即将结束的世纪，所捕捉到的精彩瞬间”；2004年，《群》大放异彩，让施茨廷与迈克尔·克莱顿、丹·布朗等国际作家平起平坐，也让德国人首度学会了“海啸”这个词。无巧不成书，《群》出版后九个月，震惊世界的东南亚海啸发生，世人纷纷追问他如何能“预测”此事。《群》大获成功后，施茨廷利用写作时没用上的剩余五分之四资料，写出了《海：另一个未知的宇宙》，同样大卖。 《群》始于施茨廷数年前的梦境；而《群》的男主角西古尔·约翰逊，黄金单身汉、魅力中年型男、都会雅痞、无可救药的品味...(展开全部)

"P"assion."D"anger."W"itchcraft . . . "The Lady of the Rivers "is #1 "New York Times "bestselling author Philippa Gregory's remarkable story of Jacquetta, Duchess of Bedford, a woman who navigated a treacherous path through the battle lines in the Wars of the Roses. Descended from Melusina, the river goddess, Jacquetta always has had the gift of second sight. As a child visitin...(展开全部)